– Kate Krueger, Clarkson University, English Studies This volume assembles an impressive array of contributions, with broad thematic concerns, and diverse approaches to the rich terrain of periodical studies.
The chapters demonstrate a real commitment to exploring diverse short stories and venues up to 1950 even as they turn our critical attention to intertextual relations, offering necessary breadth to our understanding of the short story during this period. As such, it provides a rich discussion of the short story within periodical culture over time. – Patrick Collier, Ball State University The collection as a whole effectively tackles the difficult task of balancing textual and con-textual analysis. This book is a must-have for short story experts and periodical studies scholars-indeed for anyone fascinated by the interactions between emerging media and cultural forms. At last, here is a volume that delves into this culturally vibrant symbiosis on all levels, from game-changing theoretical accounts to sharp, empirical micro-histories. The short story and the modern magazine grew up together, but the story of their mutual emergence has been slow to develop. The Short Story in Wales (1937–49): ‘though we write in English, we are rooted in Wales’ Voicing ‘the native tang of idiom’: Lagan Magazine, 1943–46ġ4. John Lehmann’s War Effort: The Penguin New Writing (1940–50)ġ3. Horizon Magazine and the Wartime Short Story, 1940–45ġ2. Virginia Woolf and Aldous Huxley in Good Housekeeping Magazineġ1. Calling Parrots in Walter de la Mare and Elizabeth Bowen: A Communion in The London Mercuryĩ. Fiction for the Woman of To-Day: The Modern Short Story in EveĨ. For Love or Money: Popular 1920s Artists Stories in The Royal and The Strandħ. ‘It is astonishing how little literature has to show of the life of the poor’: Ford Madox Ford’s The English Review and D. Hubert Crackanthorpe and The Albemarle: A Study of ContextsĤ. Meade, Atalanta and the Development of the Short StoryĢ. Examining the impact of social and publishing networks on the production, dissemination and reception of short stories, it foregrounds the ways in which magazines and periodicals shaped conversations about the short story form and prompted or provoked writers into developing the genre.ġ. Through case studies that focus on particular magazines, short stories and authors, chapters investigate the presence, status and functioning of short stories within a variety of periodical publications – highbrow and popular, mainstream and specialised, middlebrow and avant-garde. This collection of original essays highlights the intertwined fates of the modern short story and periodical culture in the period 1880–1950, the heyday of magazine short fiction in Britain. Helps recover neglected writers/editors and cast new light on more canonical ones.Explores the impact of social and publishing networks on the production, dissemination and reception of short stories.Sheds new light on well-known publications and examines others that are as yet obscure or understudied.Analyses a wide range of publications, from standard illustrated popular magazines to avant-garde little magazines.Foregrounds the role of magazine culture in the development of the modern short story form.
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Adding a Global Perspective: Diverse Short Stories.Explores the relationship between magazine culture and the development of the modern short story form in Britain.The narrative includes flashbacks as the painful death of the protagonist’s son is conveyed thus it is an engaging story for teaching narrative perspective and plot structure. As the protagonist queues outside the American Embassy in Lago, Nigeria, waiting to make an application for asylum, she is confronted with recent tragedy and heartache. Stories can break the dignity of a people, but stories can also repair that broken dignity.” While I use many of her stories and essays in my classroom, I love reading “The American Embassy” with students, as it speaks to universal themes of fear, loss and grief. Stories have been used to dispossess and to malign, but stories can also be used to empower and to humanize. As she eloquently explains in her talk: “Stories matter. As a Nigerian female writer herself, she knows this well. In this talk she explores the problems of only reading stories from a homogenous group (often white, western, male). Adichie’s powerful TEDtalk “The Danger of a Single Story” is how I always open my short story unit.